We can see from the jade works that are known from the various primitive cultural levels that primitive people in the natural and supernatural realm, with their special psychological perceptions, organize images that are similar to prototypes and super-prototypes. The ways and means of obtaining these images are multifaceted.
It should be said that in the long-term development of mind and consciousness, the primitive people gradually separated themselves from the existence of the natural living environment, and through the perception of the natural beings, they continued to extract and extract the prototype. The image world that the subject above can grasp. For example, the famous Yulong unearthed at the site of the Samsung Zha La Village in Wengniute Banner, Inner Mongolia Autonomous Region, is known as a miraculous image in the fantasy, but it is also a dream or a fantasy. The tone of its image comes from real life, or Taking a part of it and feeling another part, it should be said that the blueprint of this jade dragon is derived from the serpentine shape and is derived from it.
In the creative act of art, the primitive man clearly magnified the image embodying motivation with subjective imagery. Like the red mountain culture, the animal-shaped jade has this common feature: in this type of jade beast, the head is highlighted by the whole image, and then the head consciously enlarges the eye, so that the curved body part of the beast is obviously in the vassal The state, and the huge performance of this head, on the one hand, shows that the primitive people have some primitive worship of the animal, on the other hand, it can be seen that the producer is completely to make the characteristics of the prototype of the object gain value, thus becoming subjective There are regular things in the image.
In addition, in the process of the original person using the image to grasp the world, the object's stimulation is uninterrupted. As long as the human life continues, his vision and psychology will actively explore this kind of stimulation, and even pursue this kind of stimulation. This is the image imitation that complements the image memory. However, the image imitated by the primitive people is not the reproduction of all the details of the objective world, but the basic features and important details of the object. For example, the jade fish and jade eagle unearthed from the Hongshan culture are all primitive objects based on objective objects. The imitation of the image is created by the basic shape and posture.
The Tianjin Art Museum has a collection of hook-and-bird bird-shaped jade. The jade is yellow-green and flaky, shaped like a phoenix bird, with a long tail winding, free and easy, but it has more abstraction; the whole observation, if it is floating Floating clouds, strange structure, unique style. This abstract pattern shows that people at that time have integrated abstract consciousness as a positive modeling psychology and gesture into the field of image creation, in which simple sculpt and simple dot-line combination are closely organized. After that, this primitive abstract image is formed. Strictly speaking, all the original jade patterns or shapes that we have seen so far are formed on the basis of the acquisition of prototypes, repeated filtering and screening, and then through the penetration of abstract consciousness.
In addition to the abstract schema, there is a class of works belonging to the deformed image in the original jade. Like the red mountain culture, the eagle-shaped jade is like a piece of square jade. The bulge of the head is no longer obvious. It is only slightly expressed to indicate a meaning. The traces of the eagle tail, claws and chest have disappeared. Abstraction. However, in order not to give up the most basic characteristics of the scoring object, the producer visually outlines the state of the eagle's wings to express a trace of imitation.
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