In the late Ming Dynasty, females took the main collar as the chief, the collars were decorated with buttons, and the plaits used ties (the female pleats used in the opera still retain this shape). "Peony Pavilion" "dream", Liu Mengmei deeply sang for Du Li-niang: "With your collar buckle loose, clothing bandwidth, sleeve tip children licking your teeth and children also ... ..." so straightforward, fiery confession, triggering future generations How many associations "defeating feudal rites" are related to buttons.
In addition to the outer clothing, buttons were also used on Ming women's lingerie. For example, when Ximen Qing first saw Pan Jinlian in the “Golden Lotusâ€, she was attracted by her semi-exposed “thrilled breastsâ€: “But see... The most exaggerated child, there is no price for crisp and open breasts... The sweat-absorbent cuff is worn by the child's cuffs, and the sachets are hung low by the side. The tops of the bras are heavy buttons under the throat.†It can also be seen in Ming Dynasty paintings.
Buttons as an important part of women's clothing, between the opening and closing, can always remind men of reverie, so ultimately in the literary works to connect it with the woman's sexy, so there is a "soft touch crisp breast, a short while The buttons are slightly loose. The pear blossoms are repulsive to the spring breeze, which is similar to the depiction of Xiao Han Yu Jue ("Zi Xian").
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