Look at the rise and fall of society from shoes
Each pair of shoes tells a story. The shoes revealed status, gender (usually possible), race, religion, occupation, and politics - the Russian writer Gorky once said that a pair of durable boots "helps socialism's ultimate victory more than Di Qing's eyes." Last but not least, shoes can be dazzlingly beautiful.
Sole see the truth. Joan Swann, a shoe historian working in Northampton, England, said: "Shoes are the best indicators of people's feelings." Listen to Swan, you can see the rise and fall of society from the height of the heel; from the shoes The shape of the head heard the drumbeat from far away; the social changes were measured from the thickness of the heel.
High heels
For more than 30 years, the shoes designed by Manolo Branick have been like a fairy tale to give a woman a fantastic feeling: rhinestones, feathers, sequins, buttons, bows, beads, metal rings, and rings are on the shoes. Chains, ribbons, silk brocades, coral fragments, laces, furs (he emphasized animals from captives), crocodile skins, ostrich feathers - anything, perhaps with fabrics made of unicorns. .
Ladies, listen clearly: After Manolo's death, there will be no more Manolo shoes. He has no children or heirs, and there are no large boutique groups like LVMH waiting to receive his brand. When Manolo stepped into the big shoe box in the sky, Manolo's shoes would be followed by extinction and a full stop. Someone complained that wearing his shoes was a torment. What did he say? "I haven't heard of this kind of thing." He responded. "The women told me that they loved my shoes. Some of them never even took off."
But to put it bluntly, shoes are not equal to the feet of the clothing? "Yeah. But it's a bunch of clothes that make you wonder."
sandals
Using your hand to gently stroke the insole of Artemisia fiber sandals stored in the University of Oregon Museum of Natural and Cultural History, you can feel the thumb's mark. This pair of sandals may be the oldest surviving sample of footwear. It was discovered in 1938 at the Rockock Cave in central Oregon. It may have been 10,500 years old. The original owner was a North American aborigine who evaded the cave and hunted in the swamp in summer.
“These are all traces of human life,†says Tom Connolly, director of the museum’s research. “The dents he took from the heels of the sandals; the small holes that the sparks burned on the uppers of the shoes, allowing you to imagine the fire. On the warmth. A series of sandals here will give you this feeling. There are large-sized and worn shoes, small children's shoes, and some mud on the top."
Eric Trincous, an anthropologist at St. Louis’s Washington University, said that strong and durable shoes came out 40,000 to 26,000 years ago. Terinkos studied the foot bones of the Neanderthals from 100,000 to 40,000 years ago and compared the slender paws of human ancestors 26,000 years ago. The conclusion is: As the shoes support the feet, it is lightened. The pressure causes the wearer to develop a weaker toe. Since then, shoes have evolved along with other advances in human culture just like stone tools and art.
Jenna Tedric Kutluff, a textile expert at Louisiana State University, has studied a number of woven sandals (some of them 8,000 years old) found in the Missouri Cave. She pointed out that none of these shoes are the same. "The owner of the shoes had only been living for food and clothing," she said. "They don't have to make every shoe different. But human nature wants to make things pleasing, so that their shoes and other people It's not the same.†The desire of human beings to wear unique, superior, and decorative things, which is the instinct to pursue fashion, has existed for a long time.
Space boots
A $30,000 pair of moon boots made the Manolo shoes look like bargains. Manolo's shoes can't cope with space. Moonwalks require high-tech shoes, just as Dave Graziosi's team designed them at ILC Dover. ILC Dover Corporation is located in Frederica, Delaware, USA and manufactures space suits exclusively for NASA.
“We are preparing for landing on the moon and beyond,†said Grazio, an aerospace engineer. “The next stop is Mars.†The latest space shoe is the “M2 Traveler†and consists of three parts: Inner pressure bladder, intermediate structural layer, and protective shell.
Such shoes must withstand temperatures from minus 212 degrees Celsius to 177 degrees Celsius; resist micro-interstellar rocks (at a speed of 20 kilometers per second, even dust can kill); withstand the lunar multi-rock surface; The January car was anchored several kilometers away from the landing capsule and the astronauts must be able to walk back comfortably. Compared to the previous generation of space shoes worn by the Apollo mission, this boot is slimmer and lighter.
To be precise, the first person to step on the moon was not men but shoes. The shoes, Neil Armstrong (commander of the "Apollo 11" and driving, landed on the surface of the moon in July 1969 and became the first to move on celestial bodies outside the Earth.) Half of the number nine boots, along with the other nine pairs of "Apollo spaceman" boots, are still on the moon. In order to collect the moon rocks, the astronauts must discard the shoes to offset the extra weight of the return journey.
Platform shoes
Professor Gillian Carrara, a professor of fashion at the Art Institute of the United States, explains the anatomical effects of high heels. "What happens when I put on high heels." She said as she put a pair of Vivienne Westwood's shoes. Weiswood was the British designer who led the punk style. She let Campbell wear a pair of extraordinarily thick platform shoes and walked onto the running platform. The shoes were so high that the supermodel fell.
Carrara put on her shoes and straightened out. "The chest is straight forward, the hips are curled back, and the legs are slender." She said, echoing her in every part of the body. "The man thinks this is very attractive."
The high-heeled heel with the fine heel like a needle is called Stiletto. The source of the word is the Italian “Short Sword,†which was introduced in the early 1950s. In fact, we have been raising our shoes by shoes for centuries. Greek actors wear high-heeled shoes to get out of the secular world. In 1595, the Queen Elizabeth I commissioned a shoemaker to make "a pair of high-heeled, high-arched Spanish shoes." In the 15th and 6th centuries in Spain and Italy, women dressed in beautifully decorated cork heels can reach 10 centimeters or even higher. There is a collection of nearly half a meter high in the Venice Corell Museum.
Do you look good? Indeed. Easy to wear? It does not seem.
To go from point A to point B, the Venetian ladies wearing cork high heels must always be supported by the servants, and each step is trembling. From a certain point of view, cork high-heeled shoes and high-heeled shoes represent the indecision in the evolution of footwear. "It's like you invented a practical thing, such as toilet paper, and then it was covered with pieces of glass, just to make it look better," said a librarian.
Men's shoes
At the very first sight of the pair of 17th-century leather shoes that had been cut into pieces, Joan Swan's spine was cold, and she was the manager of the shoes collection at the Northampton Museum in the UK. The shoes were found under the roof of an old farmhouse. They were deliberately cut into strips and then hidden. Swann did not know the reason. "I only know that I must cut a thick, hard leather. I have to use a meat cutter." She said. "Someone is trying hard to do it."
"That pair of boots made me very nervous." She recalled, "What kind of parents will let children play on the thatched roof? How could they throw a pair of good-looking shoes there?" when a colleague mentioned When someone gave him a pair of old shoes found under the floor, she suddenly realized. Swan realized that the pair of shoes found on the thatched roof were intentionally placed there. Since then, about 1,700 pairs of hidden shoes have been discovered, not only in the United Kingdom, but also in Germany, Australia, Canada, and the United States. These shoes are all recorded in a register initiated by Swann.
"His shoes don't work with superstition," she said. "But I don't know the answer yet." She hasn't found a word explaining this behavior. As for the leather shoes that were only cut, though it feels full of malicious and reminiscent of some interesting plots, it is still a mystery.
Joan Swan suggested that perhaps this secret should not be solved. The secrets that are kept are powerful, and the secrets that are revealed are not.
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